[Met Performance] CID:130840
Alceste {3} Metropolitan Opera House: 02/10/1941.

(Review)


Metropolitan Opera House
February 10, 1941


ALCESTE {3}

Alceste.................Rose Bampton
Admète..................René Maison
High Priest.............Frank Valentino
Oracle..................Arthur Kent
Évandre.................Alessio De Paolis
Herald..................George Cehanovsky
Woman...................Marita Farell
Leaders of the People: Maxine Stellman, Helen Olheim, Wilfred Engelman
Dance: Ruthanna Boris, Josef Levinoff, Mary Smith,
Monna Montes, Grant Mouradoff

Conductor...............Ettore Panizza

Review of Pitts Sanborn in the World-Telegraph

Mme. Bampton Sings Role of Alceste

Following the present method of frequently changing the allotment of prominent roles, the Metropolitan management offered its third "Alceste" last evening with a new representative of the name part. After the fiery magnificence of Marjorie Lawrence as Alcestis came the lyric charm of Rose Bampton.

Comely, tall and statuesque, Mme. Bampton showed in her carefully studied poses and gestures what pains she had taken to portray the self-sacrificing heroine persuasively to the eye. And in her singing tenderness and pathos found touching expression. Since this was only Mme. Bampton's first assumption of an inexorably exacting role, we may look for further development later on of its more cogently dramatic aspects.

Her voice seems now, under sympathetic guidance, to have found a congenial lyric field. Her tones were often of delightful quality last evening, her phrasing was marked by grace and fine taste and there was always the thought of the accomplished musician. Altogether, Mme. Bampton may be congratulated cordially on her present achievement, which holds the promise of even better things to come.

Once more Rene Maison supplied an admirable Admetus. Francesco Valentino replaced the indisposed Leonard Warren as the High Priest of Apollo, singing well apart from an excessive vibrato. The beauty of the tableau at the end of Act II made up in part for the pinchbeck naiveties that met the eye.



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