[Met Performance] CID:138060
La Traviata {269} Metropolitan Opera House: 12/2/1944.
(Review)
Metropolitan Opera House
December 2, 1944
LA TRAVIATA {269}
Giuseppe Verdi--Francesco Maria Piave
Violetta................Licia Albanese
Alfredo.................Charles Kullman
Germont.................Leonard Warren
Flora...................Maxine Stellman
Gastone.................Alessio De Paolis
Baron Douphol...........George Cehanovsky
Marquis D'Obigny........Louis D'Angelo
Dr. Grenvil.............Lorenzo Alvary
Annina..................Mona Paulee
Dance...................Monna Montes
Dance...................Alexis Dolinoff
Dance...................Leon Varkas
Conductor...............Cesare Sodero
Director................Désiré Defrère
Designer................Jonel Jorgulesco
Choreographer...........Laurent Novikoff
La Traviata received seven performances this season.
Review of Robert Lawrence in The New York Times
"La Traviata"
Licia Albanese who replaced the indisposed Bidu Sayao, divided a triumph with Leonard Warren in the first performance of the season of Verdi's "La Traviata" at the Metropolitan Opera House last night. Both artists won richly deserved ovations from the audience that filled the house.
The entire cast was noteworthy, bringing together several important singers for the first time in this opera. Charles Kullman, in excellent voice, sang a role he has made his own, that of Alfredo, with smoothness and ease. George Cehanovsky as the Baron Douphol, Maxine Stellman as Flora and Mona Pualee as Annina, did commendable work in the minor parts allotted to them.
Miss Albanese, in splendid form, both vocally and dramatically, used her lovely voice to produce something very like magic in the last act especially where her "farewell" aria and the duet, "Parigi o cara," with Mr. Kullman, were possibly the finest singing of the entire evening. Miss Albanese also sang the duet "Un di felice," with Mr. Kullman in the first act, and the following aria,
"Ah, fors è lui," with the purity of voice, intonation and phrasing and the sympathy of expression that have brought her such wide esteem.
Mr. Warren, also was in excellent form, and sang with a reserve and taste, both in the second and fourth acts that were unusual even with him. The rich, full voice was particularly effective because of the greater art with which it was used.
Mr. Sodero and the orchestra deserve praise for an intelligent and sensitive presentation of Verdi's beautiful accompaniment.