[Met Performance] CID:146390
La Gioconda {160} Metropolitan Opera House: 12/18/1947.

(Review)


Metropolitan Opera House
December 18, 1947


LA GIOCONDA {160}
Ponchielli-Boito

La Gioconda.............Daniza Ilitsch
Enzo....................Richard Tucker
Laura...................Risë Stevens
Barnaba.................Leonard Warren
Alvise..................Giacomo Vaghi
La Cieca................Margaret Harshaw
Zuàne...................Osie Hawkins
Isèpo...................Lodovico Oliviero
Monk....................Philip Kinsman
Steersman...............John Baker
Singer..................Lawrence Davidson
Singer..................Leslie Chabay
Dance...................Peggy Smithers
Dance...................Nina Boneck
Dance...................Elissa Minet
Dance...................Ilona Murai
Dance...................Francesca Ludova
Dance...................Lorraine Ammerman
Dance...................Alice Temkin
Dance...................Marina Svetlova
Dance...................Edward Caton
Dance...................Josef Carmassi
Dance...................Leon Varkas

Conductor...............Emil Cooper

Director................Désiré Defrère
Set designer............Antonio Rovescalli
Set designer............Joseph Novak
Costume designer........Mathilde Castel-Bert
Choreographer...........Boris Romanoff

La Gioconda received five performances this season.

Review of "J" in the January 1, 1948 issue of Musical America

Ponchielli's "La Gioconda" in its first appearance of the season, although in part well sung, seemed to suffer from many of the same blemishes which have been chronic in so many of the year's performances. As Gioconda, Daniza Ilitsch, who should be granted some measure of indulgence for singing the title role here for the first time, although the possessor of a laudable vocal endowment, occasionally marred her delivery of the taxing music with faulty intonation and a labored delivery. Rise Stevens, whose Laura was a delight to the eye, did not provide her full and accustomed measure of aural charm and La Cieca of Margaret Harshaw was portrayed with an admixture of fine singing and occasional vagaries of pitch.

The brighter aspect of the performance devolved upon Leonard Warren and Richard Tucker whose splendid vocal resources were unimpaired at this performance. Mr. Warren, as the crafty Barnaba, sang with all of his accustomed massive resonance and an ever heightening sense of theatre, while the Enzo Grimaldo of Richard Tucker, in which he made his debut, was projected on a rare plane of excellence.

Giacomo Vaghi was a distinguished Alvise and others in the cast included Osie Hawkins, Lawrence Davidson, Leslie Chabay, Lodovico Oliviero, Philip Kinsman and John Baker. Emil Cooper conducted.



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