[Met Performance] CID:204810
La Périchole {38} Metropolitan Opera House: 12/18/1965.
(Debut: Anna Aragno
Review)
Metropolitan Opera House
December 18, 1965
In English
LA PÉRICHOLE {38}
Offenbach-Meilhac/L. Halévy
Périchole...............Teresa Stratas
Paquillo................Theodor Uppman
Andres..................Cyril Ritchard
Old Prisoner............Andrea Velis
Guadalena...............Joy Clements
Estrella................Mary Ellen Pracht
Virginella..............Marcia Baldwin
Pedro...................Donald Gramm
Panatellas..............Paul Franke
Tarapote................Lorenzo Alvary
Notary..................Robert Schmorr
Notary..................Gene Boucher
Jailer..................Vladimir Chistiakov
Ballerina...............Anna Aragno [Debut}
Clown...................Jan Mickens
Dance...................Sally Brayley
Dance...................Hans Meister
Conductor...............Franz Allers
Production..............Cyril Ritchard
Designer................Rolf Gérard
Choreographer...........Cyril Ritchard
Choreographer...........Zachary Solov
Translation by Valency
La Périchole received five performances this season.
[Ritchard staged the Circus Ballet in Act I; Solov did all other choreography.]
Review of Irving Kolodin in the Saturday Review
Much of the original zest and aria spirit of Offenbach's "La Perichole" was present when it returned in holiday spirit to the Metropolitan after an absence of several seasons. Some of this was due to the presence, in their original roles, of Cyril Ritchard, who brought the comedy to life in the first place, and Theodor Uppman, a practically perfect Paquillo. But no less of it could be attributed to the adroit casting of Teresa Stratas as Perichole for the first time, and the choice of Franz Allers to conduct it.
One could argue the relative merits of their contributions, but as Alters was present even when Stratas was not, the priority, on balance, should be his for the light-hearted as well as light-handed way in which he shaped the melodies and pointed the rhythms that underlie the work's enduring appeal.
As for the lady herself, Stratas is certainly the Metropolitan's most beguiling since Patrice Munsel. The new performer's quality is quite different, but not less appropriate, and when she has refined her way of playing it to throw away more of the comedy on which she put her emphasis rather heavily this time, she could be a complete delight. A special factor in her favor is access to the lower range of sound (for which the part was originally conceived) none of her Metropolitan predecessors possessed. With or without it, Stratas would be a lively adornment of any comedy part - a mode of performance that suits her even more than the Lisa in "Pique Dame" she was singing at the start of the season. Donald Gramm merits mention for a fling at Don Pedro that underscored the range of his abilities, too.