BiblioTech PRO V3.2b

[Met Performance] CID:73370
Il Trittico {8}
Il Tabarro {8}
Suor Angelica {8}
Gianni Schicchi {8} Metropolitan Opera House: 12/17/1919.

Metropolitan Opera House December 17, 1919 IL TRITTICO {8} IL TABARRO {8} Puccini-Adami Giorgetta...............Claudia Muzio Luigi...................Giulio Crimi Michele.................Pasquale Amato Frugola.................Kathleen Howard Talpa...................Adamo Didur Tinca...................Angelo Badà Song Seller.............Giordano Paltrinieri Lover...................Marie Tiffany Conductor...............Roberto Moranzoni Director................Richard Ordynski Designer................Pietro Stroppa SUOR ANGELICA {8} Puccini-Forzano Angelica................Geraldine Farrar Princess................Flora Perini Genovieffa..............Mary Ellis Osmina..................Margarete Belleri Dolcina.................Louise Bérat Monitor.................Marie Sundelius Abbess..................Mary Mellish Head Mistress...........Cecil Arden Lay Sister..............Veni Warwick Novice..................Phyllis White Alms Collector..........Adeline Vosari Alms Collector..........Minnie Egener Conductor...............Roberto Moranzoni Director................Richard Ordynski Designer................Pietro Stroppa GIANNI SCHICCHI {8} Puccini-Forzano Gianni Schicchi.........Giuseppe De Luca Lauretta................Florence Easton Rinuccio................Giulio Crimi Nella...................Marie Tiffany Ciesca..................Marie Sundelius Zita....................Kathleen Howard Gherardo................Angelo Badà Betto...................Paolo Ananian Marco...................Louis D'Angelo Simone..................Adamo Didur Gherardino..............Mario Malatesta Spinelloccio............Pompilio Malatesta Amantio.................Andrés De Segurola Pinellino...............Vincenzo Reschiglian Guccio..................Mario Laurenti Conductor...............Roberto Moranzoni Director................Richard Ordynski Designer................Galileo Chini [Reiss did not receive credit in the program or in the company paybook as a Lover in Il Tabarro though Seltsam's Annals allotted him this role. The editors question the information available concerning Dolcina and the Abbess in Suor Angelica. The company program states that in this performance Mellish, a high soprano, sang the Abbess, a role usually performed by a mezzo-soprano, and that Bérat sang Dolcina, a role usually assigned to a soprano. Further, in some later performances, these artists exchanged roles.]

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